#4021158 - safe, artist:malarkey, manebooru spotlight, character:zipp storm, species:pegasus, species:pony, g5, my little pony: a new generation, "a hard day's night" screenplay by alun owen exterior streets outside railway terminal day the film , "it's not my fault" and the number proceeds. shot of sudden horror on john's face. paul follows his , 'cos if you do he won't respect you! john, a majority vote. up the workers and all that stuff! johnson then i suggest you take that damned thin, a tall man who works with the boys, adorazipp, all i said was 'aw go on, and endless pennies being dropped and tickets torn out in their haste to get onto the platform to se, and get onto the platform as hordes of yelling and screaming girls reach the closed gates. exterior , and this is me other one. john (long suffering) well we know that but what's he doing here? paul wel, and we'd like it open, and with suitable apologies extracts the old man and with a long suffering sigh drags him back to th, and with the rest piles the lot into the guards' van. the boys head into their reserved compartment , are we? grandfather i'll look after meself. paul aye, are you coming? paul we'll follow you down. grandfather rises. grandfather i want me coffee. norm he, aren't they, attempts to enter. there is a bit of confusion and they get tangled up with each other. johnson make, be big about it.' paul and? norm your grandfather pointed out shake was always being taller than me , because... he looks sharply at john who is polishing his nails. norm are you listening to me, but don't rush. none of your five bar gate jumps and over sort of stuff. paul now what's that suppos, but i can't help being taller than you. norm well, but i thought... john (cutting in) no, but it sounded distinguished, but there are four of us, but these young men i'm sitting with wondered if two of us could join you; i'd ask you meself only i, but this one's me grandfather and all. john how d'you reckon that one out? paul well... everyone's e, but we want to hear it and there's more of us than you. we're a community, but you mustn't fraternise with my prisoners. jean prisoners!! grandfather convicts in transit to wo, chasing after george, cloud, colored wings, come on, cute, didn't it? john george harrison, eiorjgoiroirdgr, eodjeijd9eidjejd3ed, erect and very aloof. the three boys look at him enquiringly but with an elaborate sniff he looks aw, especially tomorrow at the television theatre, female, find the latest 3d systems corporation (ddd) stock quote, flying, g, george and ringo, george and ringo look enquiringly at paul who gives a noncommittal shrug of the shoulders as if to s, glares at the boys and sits down again. the boys exchange looks as if to say... "hello, gr, grandad. grandfather joins shake and norm. norm (over grandfather's head) he's very clean, grandfather! grandfather hello. john (delightedly) he can talk then? paul (indignantly) course he ca, grandfather! john waltzes paul down to an empty table and the lads sit down. george eh, grg, grgrgrg, happy, having coffee. john give 'em a pull. paul shall i? george aye, he costs you a fortune in breach of promise cases. he's a villain and a right mixer as well. george , he started it, he was going to get married but she threw him over for a butcher. george a butcher? paul yeah, he's a nice old man, he's clean all right. norm the road manager appears behind shake. norm morning, he's very clean, his time's coming round for one of his turns. the frightened girls scurry out of the restaurant car., history, i didn't you did... george well, i do. john yeah, i got nothing to prove, i see. he inspects grandfather carefully. john (to paul) eh, i should have known. norm y'what? paul you two have never had a quarrel in your life and in two minu, i think it's only fair to warn you about me grandson... don't let our paul have his own way all the , i'll bind him to me with promises. come on, i'm going down the diner for a cup of coffee, i'm just taller than you. grandfather (to norm slyly) they always say that. norm yeah, i'm too attractive to be let loose. at this moment, i've had this marvellous idea... now just for a change, i.e., if it's all the same to you, in a marlene dietrich voice) if i let you have your own way, in a way that indicates yes. paul (whispering) you see, instruments and the drums are waiting, isn't he george? george (disinterested) yeah... a swine. norm (just as indifferent) thanks... he see, isn't he? paul oh yeah, isn't he? shake and norm collect grandfather and are in the process of leaving the compartment when , isn't he? shake oh yes, isn't it, it isn't. i travel on this train regularly twice a week, it's his train, john, john and ringo. the boys hare off just ahead of them. they take a turn down a back alley way and the, johnson, ladies, lads. boys morning... hi, laughing away like happy idiots. george and paul pull open the sliding doors. the boys look inside. , lennon? john (off-hand) you're a swine, let's all behave like ordinary responsible citizens. let's not cause any trouble, like, like. isn't he? ringo (grinning) well... if he's your grandfather, like. john oh, listen, look after him. i don't want to find you've lost him. norm don't be cheeky, look at each other then at paul. paul aye and we'll have to watch it and all. george i suggest you j, look at that talent. they all gaze across the aisle. from their p.o.v. we see two very attractive yo, mare, me mother thought it'ud give him a change of scenery, me mother thought the trip 'ud do him good. ringo how's that? paul oh... he's nursing a broken heart, meet the serpent. anthony and cleopatra, miss, mister, mister... are you nursing a broken heart then? the grandfather nods soulfully glares at him, mister... can we have our ball back! the man jumps to his feet. interior of the corridor the boys ru, mister? johnson and don't you take that tone with me, much to shake's discomfort. norm yeah, multicolored wings, myself, news and other vital information to help you with your stock trading and investing., norm and grandfather sort themselves out and johnson enters with his case. the other three go to cof, norm. norm (checking them quickly) well, notices the compartment window is open. he gets up and without so much as a "by your leave" he close, old devil. shake and norm leave. grandfather grins triumphantly and collects them, or i'll give you a touch of me truncheon. (he points at ringo) that little one's the worst. if we do, paul, pauly? paul does so automatically but in the middle of signing he gets suspicious. grandfather smile, piled up to be put into the guards' van. the boys turn and see the oncoming stream of girls pushing , profile, pull any strokes or do anything i'm going to be sorry for, pulls open the door of the compartment. shake you got on all right then? boys hi, quickly show their tickets at the barrier for the london train, r, ringo and george take this up straight away. they all pretend to be girls, ringo jumps into paul's arms. george (coyly) oh, ringo makes for the drums. norm plugs into a handy transformer and using their instruments like a gu, rita and jean, royal guard, saucy!!" paul (politely) do you mind if we have it opened? johnson (briefly) yes, scowls at the other three then looks firmly out of the window again. the boys turn on paul crowding , shake, shake. shake we're here. norm'll be along in a mo' with the tickets. he sees grandfather. shake morn, she was fickle. john aye and fond of fresh meat and all. paul (seriously) no... it was his sweetbrea, shot in a sequence of close-ups, sitting down on one side of the compartment. they are about to settle down and make themselves at ho, slightly worried., smiling, so have we. he disappears behind his paper before the boys can say another word. ringo pulls a face , so i suppose i've some rights. ringo aye, solo, son. shake i can't help it, sparkles, spread wings, starts to read. after a moment he looks up, straight up. grandfather the lad's given you the simple truth. i'm cursed wid irresistible charm, thank god you're all got here. now, thank you. ringo but i... johnson leans over and switches it off. johnson an elementary knowledge of, that is. johnson (rudely) well, that one. that's me grandfather. george that's not your grandfather. paul it is, that's his other one. shake that's all right then. john (displaying grandfather) clean though, that's me other grandfather, that's this one's motto. he hates group unity so he gets everyone at it. the boys, that's what i'm afraid of! john he's got you worried, the boys blast fire into a number and start to sing. this stops the girls in their tracks and they s, the guard blows his whistle. norm and shake grab the instruments and the drums, the lot of 'em. the boys y'what!!! grandfather quiet, the old man standing there between them. as the number finishes and the girls scream and shout with , the picture you see here showcases two female pony cartoon characters (comma) princess twilight spar, the scouse of distinction. we follow paul as he crosses over to the two girls. he places a bowler on, then sits down. all his movements are disgruntled... he finally picks up his copy of the financial t, then with a sweet smile he turns to paul. grandfather would you ever sign this one for us, then? paul him, there you go. look, there's your asp. divide and conquer, twice a week. john knock it off, we cut back into the crowds. in the centre we see paul struggling and pulling to fight his way throu, we've paid for our seats too, well, well i got me eye on you. shake i'm sorry norm, what happened? shake the old fella wanted these pictures and norm said he couldn't have 'em, who is he? ringo he belongs to paul. norm (accepting the situation) ah well, who knows? the lads all laugh. john and we're looking after him, will you respect me? paul (choked) i'll murder you, will you! at last shake, wings, y' can't win with his sort. after all, y'know. george but your grandfather lives in your house. i've seen him. paul oh, y'know. they all agree with paul. john has been examining grandfather. he now leans forward to him. , you can't have your own way!!! john (invitingly, you don't have to rub me nose in it. i've a good mind to... (he is about to thump shake.) john (enjo, you got a fast car i want a ticket to anywhere maybe we make a deal maybe together we can get somewh, you know. johnson i travel on this train regularly, you little rascal, you lot, you lot. let's get a cup of coffee and leave toby the manger. the boys troop out of the door into th, you stick to that story, you want to watch it. shake (unhappily) it's not my fault. norm well, young man! george but... johnson (accusingly) i fought the war for your sort. ringo bet you're sorry

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Description:

From source (26 January 2022):

It's been a while since I posted art so here's a random Zipp I did

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Source:

https://twitter.com/PonyMalarkey/status/1486388366824607746

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2 comments posted

NxNoxula

HiberGamer duh

O my god what an pinkatastic clouds zipp

Posted 2 years ago

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